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8 January 1836 – 25 June 1912. Most renowned painters.

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SCHAUFELEIN, Hans Leonhard
The Birth of Christ sft

ID: 09090

SCHAUFELEIN, Hans Leonhard The Birth of Christ  sft
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SCHAUFELEIN, Hans Leonhard The Birth of Christ  sft


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SCHAUFELEIN, Hans Leonhard

German Northern Renaissance Painter, ca.1480-1540 was a German painter, designer, and wood engraver. He was born in Nuremberg, probably studied under Wohlgemut, and then became the assistant of D??rer, whom he imitated. In 1512 he went to Augsburg and in 1515 removed to Nordlingen. He is a graceful narrator, and his types, though rarely accurately drawn, are attractive, but he lacks power and depth. Characteristic early paintings are the altarpiece at Ober Sankt Veit[1], near Vienna (1502), "Scenes from the Life of Christ" (Dresden Gallery), and "St. Jerome" (Germanic Museum, Nuremberg). To his Nordlingen period belong his masterpiece, the so-called "Ziegler Altar" for St. George's Church (1521), part of which is still in the church, part in the museum; "Scenes from the Story of Judith," in the town hall; and the illuminated Psalter for Count von Ottingen, now in the Berlin print room. His most important woodcuts are those for the Theuerdank of Emperor Maximilian.  Related Paintings of SCHAUFELEIN, Hans Leonhard :. | Portrait of James Northcote Painting Sir Walter Scott | A view from Tallinn to Lasnamae | Self Portrait (san 05) | Morning Light | A church interior with the mass of saint gregory |
Related Artists:
Marten de Vos
(1532-1603), also Maarten, was a leading Antwerp painter and draughtsman in the late sixteenth century.
Heinrich Fussli
Swiss romanticist, 1741-1825
Marcus Stone
British 1840-1921 English painter, son of Frank Stone, ARA, was trained by his father and began to exhibit at the Academy before he was eighteen; and a few years later he illustrated with much success books by Charles Dickens, Anthony Trollope, and other writers, friends of his family. He was elected an associate of the Royal Academy in 1877, and academician in 1887. In his earlier pictures he dealt much with historical incidents, but in his later work he occupied himself chiefly with a particular type of dainty sentiment, treated with much charm, refinement and executive skill.






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